Symposium

High Line Art, the Vera List Center for Art and Politics at The New School, and writer and researcher Arthur Holland Michel present Remote Control: Surveying Drones and Culture Today, a symposium examining contemporary intersections of drones and drone warfare, arts, and culture. The symposium takes place online and in person from February 9–11, 2022, and features performances, speaker presentations, panel discussions, and film screenings with leading experts, artists, activists, academics, and practitioners across diverse disciplines. The symposium is the second of its kind hosted in concert with Sam Durant’s High Line Plinth commission Untitled (drone), a large-scale art commission that intends to increase visibility around intentionally obscured drone warfare and surveillance perpetuated by the US.

Soundscapes of Conflict 
Panel discussion, online via Zoom
Wednesday, February 9, 6–7 pm ET

Guillermo Galindo, composer and artist; and Raven Chacon, artist, composer; moderated by Christoph Cox, philosopher, critic, and curator.

People living in conflict zones rarely see the drones that pose a perpetual aerial threat to their safety, but they hear them constantly. A menacing sound coming from the sky is often cited as a principal facet of the embodied experience of drone warfare. This sonic awareness stands in direct contrast to the visual experience of those piloting the drone, who engage with their “targets” through a completely soundless aerial view. This panel will explore these tensions and intersections and the ways they illuminate the human costs of living under warfare.

**POSTPONED** Performance: Guillermo Galindo, Remote Control
Remote Control is a sonic representation of an alternative reality. Just like a video game, the performance is a virtual rendition of a video war game. The work is performed by a string quartet accompanied by a digital soundtrack played by members of the audience through their cell phones, tablets, or any other audio or audiovisual playback devices available. This piece was commissioned for Fifty for the Future: The Kronos Learning Repertoire, a project of the Kronos Performing Arts Association. The score and parts are available for free online at kronosquartet.org. Co-presented in partnership with The Clemente Soto Vélez Cultural and Educational Center, Remote Control is performed by a student quartet from The New School.

Soundscapes of Conflict is presented as part of the symposium Remote Control: Surveying Drones and Culture Today, in a partnership between the Vera List Center for Art and Politics, High Line Art, and The Clemente Soto Vélez Cultural and Educational Center (The Clemente).

Guillermo Galindo’s Remote Control was  originally commissioned by Kronos Performing Arts Association and Kronos Quartet for Fifty for the Future: The Kronos Learning Repertoire, which is made possible by a group of adventurous partners, including Carnegie Hall and many others. Launched in the 2015/16 season, Kronos’ Fifty for the Future has commissioned 50 new works devoted to contemporary approaches to the string quartet and designed expressly for the training of students and emerging professionals. Free scores and parts, recordings, and more are available online at 50FTF.kronosquartet.org. 

Imaging War: Drones from the Ground 
Panel discussion, online via Zoom
Thursday, February 10, 12–1:30pm ET

Panel discussion featuring Hajra Waheed, artist; Aziz Hazara, artist; Saks Afridi and Ali Rez, artists and collaborators; moderated by Muheb Esmat, writer and curator.

Depictions of drone warfare in Western and American media diverge widely, sometimes diametrically, from the imagery used by artists to describe life under drone warfare, creating a stark duality of image experience. The medium and presentation of these images, whether analog or digital, capture and express the fractured perspectives on the subject.

Aerial Empowerment: Drones, Activism, and Collective Journalism
Panel discussion online via Zoom
Thursday, February 10, 3–4:30 pm ET

Featuring activist and Women’s Indigenous Media director Brooke Waukau, Aleppo-based activist Monther Etaky, and filmmaker & artist Alon Sicherman; moderated by artist Sean Vegezzi.

While the military and surveillant uses drones can have a profoundly disempowering effect on those at ground level, a growing community of activists, artists and journalists has been using consumer-level drones to record government and corporate activities that would be too difficult or dangerous to unmask by other means. Join three artists and activists in a discussion of the empowering possibilities of these novel aerial instruments and their implications for the broader discourse on technology, power and surveillance.

Algorithms and Warfare 
Panel discussion online via Zoom
Thursday, February 10, 6–7:30 pm ET

Panel discussion featuring Lucy Suchman, Professor Emerita, Anthropology of Science and Technology, Lancaster University, UK; and Erik Lin-Greenberg, Assistant Professor, Political Science, Massachusetts Institute of Technology; and Taniel Yusef; moderated by Arthur Holland Michel, writer and researcher.

Militaries around the globe are investing heavily in artificial intelligence and related technologies to automate the conduct of war, heralding a new age of drone warfare that further removes the human decision-maker from the effects of their actions.  Tracking these developments into the future, this discussion will explore the contested ethical implications of algorithmic warfighting, and what it means for peace, security, and the fundamental right to life.

Artist Talk with Sam Durant and Omer Fast
Panel discussion, online via Zoom
Friday, February 11, 12–1:30 pm ET

Featuring Sam Durant, artist; and Omer Fast, artist; moderated by Melanie Kress, High Line Art Associate Curator.

Join artist Sam Durant, whose High Line Plinth commission Untitled (drone) has inspired this symposium, alongside Omer Fast, whose 2011 work 5,000 Feet is Best has been a touchstone for artworks addressing drone warfare for over ten years.

Surfacing the War on Terror Today 
Panel discussion, online via Zoom
Friday, February 11, 3–4:30 pm ET

Featuring Hina Shamsi, Director, ACLU National Security Project; Chantal Meloni, International Crimes and Accountability, European Center for Constitutional and Human Rights (ECCHR); Spencer Ackerman, journalist and author; and Sonia Kennebeck, filmmaker and journalist; moderated by Madiha Tahir, journalist and filmmaker.

Two decades after the United States launched its “War on Terror,” this global campaign of surveillance and violence continues to disproportionately target certain ethno-religious groups domestically and abroad, through instruments operating outside the channels of government accountability, all in the name of domestic security. Charting the evolution of this largely invisible war and the central role that drones have played in enabling its international reach, this panel will lay out the state of counterterrorism policy today under the presidency of Joe Biden and look towards upcoming legal challenges in the US and in Europe, an oft-overlooked player in the realm of drone warfare.

Closing Speaker: activist Kathy Kelly 
Friday, February 11, 4:30 pm ET
Online via Zoom

Kathy Kelly’s peace activism has led her to war zones and prisons over the past 35 years. She lived in Baghdad throughout the 2003 Shock and Awe bombing, and in Gaza during the 2009 Operation Cast Lead. With Voices for Creative Nonviolence, she has visited Pakistan to interview victims of U.S. drone attacks and, from 2010–2019, traveled 25 times to Afghanistan, where she and her companions learned from ordinary people about casualties of U.S. war and occupation. She served three months in prison, in 2016, for attempting to deliver a letter and a loaf of bread to the commander of Whiteman Air Force Base regarding drone attacks against Afghan civilians. She co-coordinates the Ban Killer Drones campaign, bankillerdrones.org